How did you get the depth of colour in this? Love the blur, it's great.
17 Feb 2007 8:38am
@Bronnie: Thanks, Bronnie! I suppose the blur isn't for everyone, but I'm glad you liked it - it's an attempt to isolate certain parts of an image while leaving other parts indistinct - and without using post production blurs.
The depth of colour is achieved using, if I recall correctly, duplicate layers one with a 'multiply' blend and another with a 'screen blend' and using layer masks to choose which parts multiply and which parts to screen.
Nice shot! I wish some of them were not blurred like the background.
17 Feb 2007 11:09am
@Behrooz: Thanks, Behrooz! I agree that it would have been better if the people were sharper, but this technique is devlishly tricky to master, so I'm trying something new. I thought the colours were nice, though.
@Angry Buddha: Thanks, Sean! The spinning is a bit too much, I realise. But, you know, art should have the power to make you throw up... or something like that. Anyway, I was sick to death of trying to post shots with 'love' or 'beauty'.
I like the way the people seem to be floating against the blurred background. I also like the way your image pivots around the lady in the white jacket and the guy behind her, in the centre of your shot - a real sense of you moving on the streetcar. Great catch!
18 Feb 2007 2:20am
@Daroru: Thanks, Daroru! Pivoting is exactly right as that's what the camera was trying to catch - like looking at the one still spot in a carousel.
This is interesting. The image has an anchor point and it almost appears as if everything is actually revolving around it (or them, as I'm referring to the two leftmost subjects). Its a head spinner alright. The colours are lovely! youre a dab hand at the contrast malarkey arent you. The building to the upper left is great also, the lack of clarity, reduces it to a texture itself. It reminded me of a video game texture map, as if Im playing Quake. Geek alert.
18 Feb 2007 2:27am
@Duncan Galbraith: Thanks, Duncan! That anchor point is what I was trying for. I may try again next week when I make the same streetcar trip. The contrast malarkey is exactly that - a bit of a rough job here. Check out Monday's post, though, where the wheels come right off and are spinning somewhere in a ditch!